Après la Guerre is a drama featuring a trio of French Foreign Legionaires
released from a Turkish prisoner of war camp at the end of World War I.
While not anxious to return to a
turbulent Europe, Stahl accepts that when Jack Warner wants a star to do a
movie the star accommodates Warner.
Stahl is excited when he arrives
in Paris. The sounds, the sights, the smells, the cuisine, the people – the
spirit of the city are all as he remembered.
As he starts learning his role as
an officer in the Legion he is invited to a cocktail party being hosted by
Baroness Cornelia Maria von Reschke aund Altenurg. The party is filled with
French citizens sympathetic towards Nazi Germany.
Stahl meets businessman, Phillippe
LaMotte, who is a director of the Comité Franco-Allemagne, an organization
working for “the re-establishment of harmony, of good relations” between France
and Germany.
The Nazis want a film star of
Stahl’s magnitude to use his celebrity to publicly reflect admiration for their
regime.
I had forgotten how the Nazis had
pursued political warfare before WW II. They spent millions in France to
influence French politics and public opinion. French fascists were well funded.
They seek to have leftists, Jews and other undesireables marginalized in
France.
In an earlier book, Red Gold, set after Germany defeated and occupied France Furst's story had featured money being sent to France by the Soviet Union to advance its aims through French communists.
In Mission to Paris the Nazis do not accept being rebuffed in their advances.
Uncomfortable with the unsubtle
approach and opposed to the Nazis, Stahl receives a request, really a summons,
to the U.S. embassy. Meeting with Mr. J.J. Wilkinson, a diplomat with vague
responsibilities, Stahl is immediately put on edge by Wilkinson raising that
Stahl has remained a resident alien in America rather than become an American
citizen.
After warning Stahl to be careful
in dealing with “these people” Wilkinson hints that the movie star could be
helpful to American interests while in Europe.
Wilkinson says Stahl would be an agent
of influence for the Nazis if he accedes to their requests. It is an intriguing term and set
me reflecting on how fame can and has been used politically and diplomatically
around the world. Whether it is the film maker, Leni Riefenstahl, of the 1930’s
or the Bono of our time artists have had a political influence.
Stahl, a man of integrity and
loyal to the United States, is caught up in intrigues designed to sway
public opinion.
Furst has created another
fascinating quiet hero in Stahl. Though a film star, Stahl is not a flamboyant
Hollywood character. His publicity appearances are restrained. His personal
life is mundane. He enjoys making movies not being a star.
Furst convincingly delves into the
murky world of political warfare. It is another world of shadows that he has
explored brilliantly in book after book.
Mission to Paris is
not his best but it is a very good book. Fredric Stahl is a character I will
remember.
The tension at the end of the book
made me rush to read the final pages. It has been awhile since I raced to find
out the ending. (Nov. 19/14)
****
Furst, Alan - (2002) - Kingdom of Shadows; (2004) - The Polish Officer; (2010) - Spies in the Balkans; (2012) - Dark Voyage; (2013) - Red Gold (1999); and (2013) - Alan Furst's Quiet Heroes - Paperback
I have read a couple of Furst books, and always intended to read more - I should pick him up again. Nice review thanks Bill.
ReplyDeleteMoira: Thanks for the comment. Furst is a wonderful contrast from the blood soaked spy thrillers of much contemporary fiction.
DeleteBill - Thank you for an excellent review. I find the whole topic of propaganda to be absolutely fascinating, and it sounds as though this novel has a real focus on that. That's a fascinating premise for a thriller, too.
ReplyDeleteMargot: Thanks for the comment. Hitler learned soon after WW I how to convince people through propaganda. I fear today too much of what is published today is propaganda rather then factual reporting or actual analysis.
DeleteBill, I have read how the Nazis used cultural propaganda to bring in line those opposed to Hitler's regime and the Nazi way of life. The arts were particularly at the receiving end. It'd be interesting to read how Furst handles that issue in his novel. Caught between two warring sides, Fredric Stahl's position can't have been enviable, even though he knows which side his loyalties lie.
ReplyDeletePrashant: Thanks for the comment. What was striking in the book was the Nazi pressure. They did far more than seek out celebrities for their cause.
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