Today I have been reading about an astounding example of plagiarism by Quentin Rowan, writing as Q.R. Markham. His novel, Assassin of Secrets, did not merely plagiarize one source but stole from many sources.
I came across the story in John's blog Pretty Sinister Books and thank him for a post about plagiarism of which I was unaware.
It was striking to read Edward Cameron's post exposing the depths of the plagiarism.
Lastly, it was hard to read Jeremy Duns on the pain of being duped.
A few years ago I read a book called The Spinster and the Prophet. A single Toronto woman wrote a history of the world during WW I. It was sent to a publisher and rejected. Subsequently H.G. Wells wrote his own history of the world. It was clear from her subsequent unsuccessful court case that Wells engaged in literary theft but the establishment of the time was not interested in having such a prominent author exposed.
I had thought it would be much harder for a "Wells" of today to achieve such a theft but after reading of Rowan's deception am less certain.
It appears to me Rowan was partially successful because he was so brazen who would expect such blatant thievery.
In an interview with The New York Daily News he revealed his motivation for writing the book:
Rowan was frank about his intention to for the money.
With the economy so bad, there's no room for a writer to worry
about selling out, he said. "People who were writing thoughtful
short stories about suburban malaise are now writing vampire
stories."
Everyone who writes is inspired by others. Fortunately most authors use their own imagination to develop their ideas into fiction of their own.
His circumstances are far different from the lawsuit by the authors of The Holy Blood and the Holy Grail suing Random House that The Da Vinci Code infringed their copyright. The trial decision clearly set out there may have been use of ideas but there was no infringement and the ideas were not new. As well Dan Brown listed The Holy Blood and the Holy Grail as a source. The authors of The Holy Blood and the Holy Grail underwent a painful cross-examination about their sources. What was most unique about the judgment was the embedding of a message by the judge in code in his judgment.
The Court of Appeal, while not amused by the trial judge's code found no merit in the appeal. They unanimously dismissed the appeal in their judgment.
In the appeal judgment Lord Justice Lloyd provided a definition of copyright:
Copyright does not subsist in ideas; it protects the expression of
ideas, not the ideas themselves. No clear principle is or could be
laid down in the cases in order to tell whether what is sought to be
protected is on the ideas side of the dividing line, or on the
expression side.
There is no "gray" about Rowan, a Brooklyn bookseller. He was a carefully calculating plagiarist whose actions have been justly condemned by most commentators. He deserves to be remembered as a thief.
H.G. Wells stole, too? I'm sick.
ReplyDeleteThanks, Bill, for your insights on plagiarism in the publishing industry and this astounding con. When Jeremy Duns found six entire pages (!) lifted from a John Gardner novel in Assassin of Secrets that sealed Rowan's fate in my book.
Then there's the exact opposite to plagiarism that happens sometime whereupon the UK's Ministry of Defence deleted 400 pages from my manuscript and then instructs that it be legally be called fiction. Welcome to the world of published books. - Nicholas Anderson, author of "NOC - Non-Official Cover: British Secret Operations"
ReplyDeleteJohn: Thanks for the comment. If not for your blog I would not have read about the scandal.
ReplyDeleteAnonymous: I can say no more than your comment is a long distance from the topic of the post.
ReplyDeleteBill - What a thoughtful and interesting discussion of this sad case of plagiarism. I'm very glad the plagiarism was exposed and after reading what you've shared about this, I couldn't agree more about Rowan. And it's so sad to hear that Wells was a plagiarist, too...
ReplyDeleteHe definitely is a thief. What makes me wonder is how on earth he believed he could get away with it these days.
ReplyDeleteBut when it comes to H.G. Wells I don´t know what the attitude and the limit was in his time. Back in the Renaissance Shakespeare stole lots of ideas and scenes like everybody else; he was just better at putting them together than most writers.
Margot: Thanks for the comment. I think it is especially sad for the people he duped in the process of publishing the book.
ReplyDeleteDorte: Thanks for the comment. I encourage you to try to find The Spinster and the Prophet. It will show to you how Florence Deeks, a dedicated researcher, diligently put together her history of the world called "The Web" and how dismissively she was treated as a non-scholar against the eminent Wells. Most telling of his copying were the repetition of mistakes she made in her history. She was given little regard as she was a woman challenging the great Wells. It will make you grind your teeth in frustration.
ReplyDeleteI concur completely, Bill. As a writer of contemporary genre fiction (thrillers, under pen name Lior Samson), I have been objecting vociferously to those who would condone Rowan's calculated and cynical theft of the work of others by calling it a brilliant post-modern pastiche or a wry commentary on the state of genre fiction and publishing today. Stealing is stealing, whatever the excuses or explanations of the thief.
ReplyDelete--Larry Constantine (Lior Samson)
Larry: Thanks for the comment. Anyone misguided enough to think it was post-modern pastiche or wry commentary should read Rowan's emails to Jeremy Duns explaining it was no post-modern exercise and acknowledging his actions were outright theft of material from other authors. Any plagiarist thinking they can justify their actions by claiming post-mordern pastiche or wry commentary is going to experience a very expensive judgment in the courts.
ReplyDelete