On
an unseasonably hot and steamy September Boston evening Scarpetta slowly makes
her way to the Harvard Faculty Club.
Along
the way investigator Pete Marino abruptly stops her. He relates an unusual 911
call which alleges Scarpetta has harassed Bryce, her Chief of Staff at the
Cambridge Forensic Lab.
Eventually
Scarpetta and husband, Benton Wesley, meet and settle in for supper at the Club.
She needs some relaxation as her sister, Dorothy, is flying in from Miami that
evening and every visit is fraught with drama. Before they even get a chance to
enjoy some wine each gets a phone call. They hustle to separate quiet spots in
the Club.
Scarpetta
is advised a woman’s body has been found a short distance from the club:
The woman’s body
is on the fitness path along the river. Some of her clothing has been ripped
off, her helmet more than twenty feet away, and there’s visible blood.
Clearly
dead but a short time Scarpetta is skeptical of the information from the responding
investigator that the body was stiff. It is too soon for rigor mortis.
On
their way to the crime scene Marino tells her about a bizarre call he received
from Interpol about a “developing situation in the park” just before being called
by the investigator about the dead body.
The
plot proceeds at a measured pace. After they arrive at the park a hundred pages
go by before Scarpetta commences her examination of the body and forensic
review of the death site. During those pages a few are spent on a walk around
the body but most are back story.
She
is delayed in examining the body because of the time taken to erect a 40’ x 30’
tent like structure to conceal the site from intrusive eyes and avoid
contamination. The former reason appears to have little to do with science and
actually prevents an immediate examination.
The
book comes alive for me just over 200 pages in as Scarpetta enters a strange
crime scene. The reason for death appears to be electrocution but the cause is
elusive.
As
she ends her careful and precise examination Wesley advises her that her
mentor, Dr. Briggs, has died in mysterious circumstances in the perpetual pool
at his home.
When
I read early books in the series I was continually intrigued and surprised by
Cornwell’s ability to come up with crimes requiring the latest in forensic
scientific advances for detection and solution.
I
was astonished in Chaos by a new
method of murder involving electricity. I had not an inkling of how the murder
was committed. Much as I would like to
discuss the murder to say more would spoil a brilliantly conceived method of
murder.
If
only the plot was not so burdened with all the personal stories that Cornwell
is carrying forward from book to book.
I
enjoy mysteries that delve into characters and like series that develop their
lives. At the same time I appreciate authors who balance the personal lives and
the mystery. I found Chaos heavy on
the minutiae of the lives of the primary characters.
The
ongoing battle with villain, Carrie Grethen, provides Scarpetta with a worthy
adversary but the almost omnipotent evil stretches my credibility.
I
accept that Scarpetta is heavily focused on herself. The whole series has
reflected her self-absorption. I still find her interesting but the past has
become cumbersome in Chaos. A good
book could have been a great book with about a hundred pages of editing of the
personal life plot lines.
I
would be interested in reading the next in the series in the expectation there
will be an interesting forensic investigation. Cornwell is exceptional in
writing about science and murder. Hopefully an editor can help limit the
personal plot lines.
I'll admit, Bill, I've not read a Cornwell novel in a while. There was, I'll confess, one novel that got too far from credible for me, and I didn't continue the series. Still, I'm very glad you found things to like about this one. I agree with you that there needs to be a balance between personal-life issues and the mystery at hand. It's not an easy balance to strike, but there needs to be one.
ReplyDeleteMargot: Thanks for the comment. I understand why you stopped reading the series.
ReplyDeleteSoap Opera Mysteries - length usually gives it away. For me there is something wrong with a book when you can skip 10 pages at a clip and not miss a plot point. But, obviously there is a big audience ($). When the same Angst Reveling feature appears in a book that is less than 300 pages, then I am disappointed. Obviously, many writers have accomplished continuous character development in paragraphs (rather than pages) interlaced in the story. But I'm just a cranky old croaker sack.
ReplyDeleteBill: Thanks for the comment. Cranky and analytical.
ReplyDelete