Dominika Egorova is a beautiful young woman in Moscow
with a promising career in ballet ahead of her when an injury, inspired by a
rival ballerina, ends her life as a dancer.
With a brilliant mind she looks for other opportunities in
modern Russia .
She is gifted at assessing people. Dominika is a synaesthete who sees colours
about anyone with whom she has conversation. From these colours she can usually
determine their emotions and honesty. Until I started reading David Rotenberg’s
books a year ago featuring Decker Roberts I had never heard of synaesthetes.
Now I have read two books within a month having primary characters as
synaesthetes. Dominika is a more conventional synaesthete seeing colours rather
than the lines of Roberts. While her gift is known she is careful to conceal
her gift, unlike Roberts who uses his talent in contracts assessing
truthfulness.
Her uncle, Vanya Egorov Deputy Director o the SVR ,
sees a chance to exploit Dominika’s beauty by setting her upon troublesome
oligarch, Dimitri Ustinov. Uncle Vanya coerces her co-operation by letting Dominika
know her mother’s apartment is safe if she entices Ustinov
into bed. She is successful but the result is sexually and bloodily horrific.
Dominika uses her success to enter the SVR .
It remains an extremely male dominated organization.
She is sent to Sparrow school. I had not thought about the
sexual training of Russian women to serve their country. It was the hardest
part of the book to read.
In America Nate Nash joins the CIA
to escape a stifling Virginia family.
His Russian language skills send him to Moscow
where he is tasked to meet with America ’s
most important Russian spy. When the SVR
almost catch them together Nash is forced into a dramatic evasive effort. A confrontation
with his supervisor over the source being almost revealed has him sent to Helsinki .
Dominika is sent by the SVR
to Finland to
pursue Nash and obtain information that could lead to the detection of the mole
inside the SVR . The beautiful Russian and
the handsome American establish a relationship.
What is surprising is the devious subsequent plot as each
intelligence service schemes to obtain information and chase down moles.
Red Sparrow is an
unusual book. At times it is as uncompromising as a John LeCarre thriller. In
other places it has the Hollywood feel of Christopher
Reich's later books such as Rules of
Betrayal.
There was abit too much for me of a character’s appearance foretelling
personality and nature.
It was intriguing to read how spies spend so much of their
time working out whether they are being followed.
It was not a surprise when I read Matthews had a 33 year
career in the CIA before turning to writing
a spy thriller. I was reminded of the thrillers written by Stella Rimington,
the former head of MI5 in England .
Readers should know that there are very explicit sexual
scenes in the book. The training of Sparrows was disturbing to me. I could have
done without some of the detail. Matthews could benefit from some of the
restraint shown by Rimington.
I acknowledge a contradiction in my reading. I want scenes
to be real but can find them too real. Matthews made the scenes convincingly
real. I admire he did not gloss over what happened. My personal preference
would have been a little less graphic.
Dominika had the same fascination for me of Lisbeth Sanders
when I first encountered her in Stieg Larsson’s triology. Each is a strong
unconventional woman with special talents who is challenging male set
boundaries.
I believe the book, when released in June, will be very
successful. It is a well written spy thriller with abundant sex and violence. I
equally expect a lot of movie buzz. Hollywood
will be interested. I can see the stars lining up to be Dominika and Nate.
Red Sparrow is a
good book. I will read future books of Matthews. I think he has the potential
to be an excellent thriller writer. I hope he will consider toning down abit
the sex and violence to concentrate more on the story.
I thank Simon & Schuster for providing me with an
advance reader edition. (Mar. 29/13)