Barbara Fradkin |
In None So Blind,
the convicted murderer, James Rosten, has been protesting his innocence for 20
years. Urged by Inspector Michael Green to let it go and apply for parole he
makes the application. Crucial to the application is an admission of fault by
Rosten. While not quite as critical in real life as in fiction accepting
responsibility and expressing remorse are important in gaining parole in
Canada.
Rosten provides a delicate expression of regret. Green
describes it:
Damn it,
Green thought as he sat back in frustration. Clever bastard. Nowhere in his
carefully crafted appeal was there an actual, unequivocal admission of guilt.
He had left that to his parole officer.
Marilyn Carmichael, the mother of the victim, after a
lifetime of condemning Rosten shocks everyone by filing a letter of support for
his release.
Rosten is granted parole. Shortly after his release he
breaks parole and is found dead in his beloved cabin, an apparent suicide.
Buffeted by Rosten’s sudden death Green is troubled by
the idea that Rosten, having endured 20 years of jail protesting his conviction
and now free, would take his own life.
His life is sent into turmoil when he receives a letter
from Rosten posted before death. It reads:
I’ve been blind. I’ve spent twenty
years pursuing the wrong villain. Lucas didn’t kill Jackie, but I have a
horrible suspicion who did. I just have a couple of tests to run and I will
prove it to you!
Green must confront the possibility that he and the
Canadian judicial system convicted an innocent man 20 years ago. Has Rosten
been killed by the actual killer of Jackie Carmichael to prevent Rosten from
disclosing the real killer?
Green recognizes that he was but a cog in the system.
There were other police, prosecutors, a jury and judges (trial and on appellate)
who participated in the prosecution. Yet he knows he was a zealous young
officer determined to find every bit of evidence that would convict Rosten. He
was not objective.
Alluding to the real life Paul Bernardo and Karla
Homolka, the “Ken and Barbie” couple who killed young Canadian women, Green
realizes that Canadians at the time of the murder trial of Rosten were all too
ready to convict a well-educated, somewhat cocky, university professor to
avenge the death of Jackie Carmichael
How do a police officer and the rest of the judicial
system react to a possible miscarriage of justice? There is great reluctance to
revisit the conviction. Green’s
superiors are quite content with the pathologist’s finding of suicide.
In the real life Saskatchewan case of David Milgaard the
police and prosecutors have never been satisfied they were wrong. Even the
conviction of Larry Fisher for the murder for which Milgaard was wrongfully
convicted has not convinced them.
For Green it is a quest for justice. If Rosten was not
the killer then the real murderer must be found and Rosten must be cleared and his
murderer discovered.
Green’s superiors are ready to blame him should the whole
mess blow up. Green is undeterred. I was reminded of Georges Picquart, the
French Army officer, who persisted in fighting, at great personal cost, the
cover-up of the wrongful conviction of Alfred Dreyfus. As with Picquart it is a
matter of personal integrity for Green.
Few fictional detectives must face they have identified
the wrong person as killer. One of the reasons we like crime fiction is that
the sleuth gets the killer. To have the detective a mortal who does not get it
right is an approach few writers are willing to take in their books.
Two of the best mystery writers have gone part way.
In The Concrete
Blonde by Michael Connelly the plot involves a re-investigation of the
Dollmaker killings. Harry Bosch had killed the original suspect. While it
addresses the police getting the wrong killer there was no conviction involved.
In my review of Chasing Darkness by Robert Crais I said:
Elvis Cole is stunned when the LAPD
alleges a murder suspect, Lionel Byrd, that he cleared 3 years before was
actually a serial killer whose victims also include the murder for which he was
cleared. Elvis, the World’s Greatest Detective, cannot believe that his work
set free a killer. With the confidence/arrogance of those who cannot admit
mistake Elvis and Joe Pike set out to find the real serial killer.
In both books the authors have their detectives face being
wrong but they cannot bring themselves to actually have the detectives being
mistaken about an innocent man.
Does Fradkin, in None
So Blind, take the step of actually having Green deal with being wrong and
sending a blameless man to prison for murder? You will have to read the book if
you want the answer.
Fradkin, Barbara - (2015) - None So Blind
It is really fascinating, Bill, when the author is willing to have her or his sleuth be quite that wrong. The enormity of it is, I'd guess, very hard to accept; little wonder that it's so hard to get everyone to admit there was a mistake of that magnitude and start over. That Fradkin takes that approach is innovative and sounds compelling. Thanks, too, for your insights on the real-life cases. I remember reading about the 'Ken and Barbie' cases and of course, the Dreyfus case.
ReplyDeleteMargot: Thanks for the comment. I think it would be interesting if you could cast your mind through the mysteries you have read to see what examples you could recall where the sleuth is found to be wrong in identifying the killer with huge consequences to the person wrongfully convicted or killed by the sleuth.
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