(7. - 1296.) Return to Blood by Michael Bennett - In the opening a 17 year old girl who loves the Māori gods as genderless deities breaks up bitterly with 17 year old Dax - both are recovering addicts - and announces to the reader she will be dead within 7 days.
She adds to her story through the book. Her thoughts and current events make for an eerie combination of past and present.
Hana Westerman, who is Māori, resigned her position of detective senior sergeant in the Auckland Police Department 6 months ago and moved back home to Tātā Bay on the west coast. She runs and swims daily in the ocean and scrubs “her skin with the iron-laden sands” (the black sand is a natural ex-foliant). She is in her late 30’s.
Hana and her father, Eru, are teaching teenagers to drive at the local rugby field.
Hana’s 18 year old daughter, is at university in Auckland living with her “best buddy PLUS 1” (non-binary gender).
An ocean storm has damaged the black sand beach exposing the body of a young woman.
Hana reflects on a different young woman of her age, Paige Meadows, who was killed almost 20 years ago and buried on that beach in a shallow grave.
The current victim, Kiri Thomas, had been in the sand for four years. She was 17 and trying to free herself of an addiction to crack cocaine.
I was fascinated by Bennett’s description of Hana holding a pencil lightly so that as she drew images there was a direct connection between eyes and fingers not filtered by the mind. It helps her to see beneath the surface of objects and people. A real drawing that “reveals the truth”.
She applied that approach to investigations by drawing pictures of crime scenes through trying to see what had happened there. Hana has a talent for seeing patterns missed by others.
DSS Lorraine Delaney has replaced Hana and is leading the investigation.
Hana is in the awkward world of a former police detective who cannot give up detecting but misses the resources of the police department.
She passes on information to former colleagues who reluctantly follow up.
Unlike most cold cases when investigators ask where someone was on the day of a murder and memories are dim it is different for Kiri’s death. She was killed on the day the New Zealand All-Blacks rugby team defeated the South African Springboks seven tries to none. Everyone knows where they were that evening.
Canadians of my generation have the same type of sporting recollection. All of us know exactly where we were when Canada defeated the U.S.S.R. in the 1972 Summit Series with the winning goal scored late in the third period of the eighth and final game.
The personal relationships of Hana, Addison and PLUS 1 are fittingly complex. All have been affected by murder.
I was dismayed that Hana, following standard American fictional sleuthing, is willing to break and enter. As in America she rationalizes her actions as for the greater good.
Hana has the ability to solve the case without breaking the law. It would require more time and investigation.
I was heartened by what she did after the break-in.
What happens to your mind if you find a buried body, especially if the body is of a person your age?
Bennett explores the minds of his characters. All are struggling to enjoy life and move forward. He goes deepest into the prospective killer.
Māori language, culture, heritage, beliefs and every day life are woven through the story. For the Māori characters, family and community are at the core of their lives.
As I read the book I thought of the two novels Canadian author Scott Young wrote about Matthew “Matteessie” Kitogitak, an Inuk RCMP Inspector. The mysteries set in the Canadian Arctic weave Inuit life, past and present, into the story.
There is drama but not American over the top action. It is a Māori form of drama especially in what happens after the climax. The Māori characters are looking to the traditions of their gods.
There is a clever twist to the ending I never saw coming.
I want to know more about Hana Westerman. She is a character worth knowing.
Bennett is a strong writer with a deep connection to his Māori heritage.
What are the memories and dreams of the deceased? In Return to Blood they are vivid.







