Meg and Eric are staying in a
houseboat moored on the edge of the island that is owned by a former hockey
teammate of Eric. Meg, walking past the site of the murder, sees a distraught
middle aged woman, verbally accuse a prominent carver of killing her son.
That night there is a feast for
the Indian leaders gathered in Vancouver. Meg attends the banquet where they
share “potlatch platters”:
The one
in front of us overflowed with plump fried oysters of the giant variety and
bright pink spot prawns, both unique to the cold seas off the West Coast. A
large side of barbecued salmon filled another platter. Farther down the table,
a third contained a haunch of venison smothered in a juniper berry sauce, while
another was piled high with contributions from Eastern Canada, wild rice and
fiddleheads. It was going to be quite the feast.
Meg and Eric learn the young
carver was Allistair, a Haida who had been adopted by a white family in
Vancouver.
As they are walking to the
houseboat that night Eric is startled to recognize a woman in the window of a
Granville Island condo. It is his stepsister, Cloe. Meg in turn is surprised
because she is the distressed woman she had seen that morning.
Eric had been taken from his
reserve in Quebec because his father had abandoned his mother before he was
born and his mother killed in a car accident when he was two years old. Government
authorities took him from his grandparents. He was adopted and raised in
Calgary. Eric resented not being raised with an understanding of his Indian
heritage.
Cloe, his white stepsister, had
adopted Alistair when his mother, known only as Mary, had died after being
stabbed when she was 8 months pregnant. The baby was saved but Mary died from
her wounds.
The book touches but does not
dwell upon the thorny issue of white families adopting Indian children and
raising them as they did their white children. The adopted children are often
frustrated as they are neither really part of Indian nor white culture. At the
same time had Eric stayed on the reserve it is unlikely he would have had the
opportunities and education to become the leader of his people.
Cloe and Eric have been estranged
for decades. As they re-connect each struggles with the past grievances that
are inevitable in troubled families.
At the same time the unnamed Haida
carver suspected of the murder has stolen the log and managed to have it taken
back to Haida Gwaii (formerly the Queen Charlotte Islands) north of Vancouver.
He plans to carve a totem pole that will tell the story of his clan since the “shame”
of the Old Chief.
Cloe is determined to take some of
the ashes of Alastair to spread at Haida Gwaii. Feeling guilty at never seeking
out his family Cloe decides to try to find his family on the islands and
re-unite Allastair with his family.
Louise O’Brien, a Haida elder, has
also invited Eric and Meg to come north to Skidegate for a potlatch and totem
pole raising by a new Clan Chief of the Greenstone Eagles Haida.
The Haida rituals they experience
are moving. My next post will be about aspects of traditional Haida culture and
ceremonies and their spectacular button blankets.
In Haida Gwaii of the 21st
century, life is a challenge with the fishing industry in decline and
controversy over logging a continuing issue.
The book becomes a special
Canadian mystery on Haida Gwaii. Harlick takes the reader into the history, geography
and peoples of the islands. Great historic and cultural themes are integrated
into the book.
Harlick skilfully uses the unnamed
totem pole carver to introduce Haida history into the mystery.
The motivations for murder are
very much from the lives of the Haida people on Haida Gwaii. I was reminded of
how Stan Jones equally makes Inuit themes an important part of his Nathan
Active series on the northwest coast of Alaska.
The Silver Totem of Shame in Haida Gwaii is on the edge of Canada.
Beyond the islands the Pacific stretches to Asia. The islands are wild,
beautiful, forbidding and fascinating.
In An Arctic Blue Death which took Meg to the northern reaches of
Canada I found the ending contrived. The Silver
Totem of Shame has a much better conclusion. It is a brilliant book rich in
images and story. I am heading back to the bookstore for more Meg Harris
mysteries.
I expect the book to be on the
shortlist for best mystery for the 2015 Arthur Ellis Awards of the Crime
Writers of Canada.
****
Silver Totem of Shame is my 9th book of 13 for the 8th Canadian Book Challenge at the Book Mine Set blog.
Bill - This really does sound like an absorbing novel. I enjoy books where we get a window on another culture, but without treating that culture as a 'curiosity object.' And the mystery itself sounds intriguing. You're right too that the question of adoption of Indian children by White families is full of issues. This sounds like a novel I'd really like, and I'm glad you did.
ReplyDeleteMargot: Thanks for the comment. It is a wonderful Canadian mystery. I hope you get a chance to read the book.
DeleteThis sound fascinating: I love the setting, because it is somewhat familiar to me, and the whole plot also sounds very thought-provoking and interesting.
ReplyDeleteMoira; Thanks for the comment. It is a mystery you will remember. I hope you read it. You could do a series of posts on the descriptions of clothes in the book. I have quoted but one.
DeleteThis is a reminder to me to read more books by R.J. Harlick. I've read one and kept meaning to read more.
ReplyDeleteOne thing that always stands out with Indigenous communities is that the people share what they have with each other. No one eats while others starve. This is an important characteristic, which should be reiterated again and again.
Kathy D.: Thanks for the comment. There is a strong sense of community within Canadian indigenous communities. They strive to see all members are taken care of within the community.
DeleteThis series sounds interesting and it looks like even the earlier ones are available on Amazon. I will try it out.
ReplyDeleteTracyK: Thanks for the comment. It is truly Canadian crime fiction.
ReplyDelete