Stuart Neville has filled the
fictional cemeteries of Northern Ireland with bodies in his books – The Ghosts of Belfast and Collusion.
In The Ghosts of Belfast Gerry Fegan, overwhelmed by the voices in his
head of a dozen people he has murdered during “The Troubles” is convinced that
he will have no peace until he has killed the men who ordered or took part in
the killings with him. Fegan embarks on a vigilante mission that has his ghosts
disappearing one by one as he avenges their deaths. At the end of the book
there is a bloody conclusion that leaves another pile of bodies.
In Collusion it is not Fegan dealing death across the northern
counties it is a hired killer, The Traveler, who is eliminating “loose ends”
with regard to the trail of bodies Fegan left in his wake in The Ghosts of Belfast. Once again there
is a vicious confrontation at the end of the book that adds more bodies.
High body counts are not my
favourite books. I especially dislike crime fiction that essentially sees the
killer identified by being the last body alive.
Margot Kinberg, in a recent post
at her fine blog Confessions of a Mystery Novelist, discussed the oft stated
premise in crime fiction that it is easier to kill again having killed once.
In a comment I disagreed with the
principle for killers who are neither serial killers nor professional killers.
Average people driven to kill are rarely a danger to anyone beyond the person
they have killed.
Professional killers often, but
not always, get enured to causing death. I read a biography of Australian WW I
sniper, Billy Sing, who was credited with killing 150 opposing soldiers, mainly
Turks. His struggles with life after the war reflect a man whose mind had
damaged by all the killing during the war.
Neville, in Fegan and The
Traveler, has created two very different minds of a killer. While Fegan
gradually comes to regret his killings The Traveler has no remorse.
Fegan retains a degree of empathy.
The Traveler will kill anyone for the right price. Human life has no value to
him.
In both books, most explicitly in
the title of Collusion, is using the
stories to illustrate how many involved in the killings of The Troubles have
retained or gained leadership positions in Northern Ireland, Ireland and Great
Britain.
I appreciate drama was created
through the killings of a dozen in The
Ghosts of Belfast who deserved to die for their actions in The Troubles.
Yet I regret that the norm for a modern thriller has become a double digit body
count.
It is even more glaring in the
movies. It is easy to find online sources for the body counts in the James Bond
movies. They set out that James Bond has killed an average of 16 people per
movie. Another 43 people die in each movie putting the overall total at 59
killed per movie!
I think it is time for book
bloggers to lead the way in identifying high body counts for readers by
inserting an acronym at the start of each thriller review. We could put in
bold, DDB for Double Digit Bodies, to alert readers there will be 10 or more
bodies in the book.
While Neville has the ability to
make a DDB plot work I am reflecting on whether I want to read his next books.
How many people should be killed in fictional Northern Ireland?
Bill - Thank you for the kind mention. You make a very well-taken point here about body count. A high body count almost never makes a book more gripping or memorable. And there are a lot of ways to build tension besides using high body counts. As you say, it doesn't reflect real life, either. There may be people who kill more than once, but I doubt there are very many who kill many times (wartime combat situations excluded).
ReplyDeleteMargot: Thanks for the comment. I think it would be interesting study to see how many bodies were in thrillers 50 years ago versus now. I am confident the numbers would be lower in the past.
DeleteI love the idea of the DDM signifier! I'm not a huge fan of serial killer books, and I also get annoyed when an enjoyable 'ordinary' murder mystery is spoiled (for me) by a sudden outbreak of killings and murders in the final third - I sometimes wonder if publishers want this? To me it can spoil a book.
ReplyDeleteMoira: Thanks for the comment. I have equally wondered where did all the bodies come from and the role of publishers. I think I will use DDB going forward. Feel free to copy.
ReplyDelete