As
with Death of a Red Heroine the book
opens with the discovery of a young woman who has been murdered. What makes the
case here unusual is that she was found wearing a red mandarin dress that has
had side slits ripped and several double-fish-shaped bosom buttons left undone.
The
police are left reeling for it is the second murder of a young woman in a short
time who has been dumped in a public location wearing a red mandarin dress and
no other clothes.
There
is a media frenzy about the red mandarin dress murders. Even
in the highly controlled culture of Communist China the authorities are forced to
acknowledge there is a serial killer in the City. Until the economic changes
serial murders had been kept out of the press but once Chinese media were
forced to sustain themselves economically they look as avidly to murder as any
Western media.
A
serial murderer is not acceptable to the Party and there is enormous pressure
on the police to find the killer.
Chief
Inspector Chen Cao is not interested in the case. He is on a short leave. He
has enrolled in an MA program for Classical Chinese Literature at Shanghai
University. His first paper is due shortly and he is going to use his time away
from the office to work on the paper.
After
looking at several Chinese short stories he has decided upon a paper which will
delve into similarities in how women are portrayed in love stories over several
hundred years.
His
love of poetry is a daily part of his life, whether on work or at home. Chen
continues to quote favoured lines. On a textile worker growing old swiftly:
Soon,
the splendor fades
from
the flower. There’s no stoppingthe chill rain, or the shrill wind.
While
Chen is trying to focus on his paper his dutiful aide, Comrade Yu, is racing
around trying to find information. Yu’s wife, Peiqin, searches for information on
the distinctive red mandarin dresses placed upon the victims.
When
Chen leaves Shanghai for a rest Yu is distraught. He has always leaned heavily
on Chen to guide him investigations.
When
Chen does return the investigation takes him back into the cruel days of the
Cultural Revolution. Terrible actions were taken in the name of the Party.
During
the book I was diverted by the amazing descriptions of food. Chen describes soup buns:
“….the soup in
the bun comes from the pork skin jelly mixing with the stuffing. In a steamer
over the stove, the jelly turns into hot liquid. You have to bite carefully, or
the soup will splash out, scalding your tongue.”
At
the same time I was stunned by some of the dishes. I can do no more for
description than list one item as live monkey brains.
Xiaolong
writes subtle mysteries taking the reader into Chinese society past and
present. His sleuth is skilled at dealing with highly political superiors.
Every action must consider what the Party would want done.
The
ending was one of the most poignant I have read in some time. I look forward to
reading more Chief Inspector Chen books.
My
next post will provide some thoughts on a red mandarin dress. It is a striking
sensual dress. (Sept. 13/13.)
****
My
personal connection is an affection for the beauty and power of the poetry in
the series. I do not read books of poetry but I love poetry with great imagery
and flow of words.
****
Earlier
posts involing Qiu Xiaolong are:
Death of a Red Heroine (Second best of 2009 fiction);
(2011) - "X" is for Qui Xiaolong;
(2011) - A Case for Two Cities;
(2012) - "X"
is for Qiu Xiaolong Again; (2012) - A Loyal Character Dancer;
Bill - It's so interesting to me what happens when poets write novels. Many of them, as in this case, include evocative and powerful descriptions. So I can see how you'd be drawn in by the dress, the food, etc.. Thanks for an excellent review.
ReplyDeleteMargot: Thanks for the comment. Poetry and mystery are a natural combination.
ReplyDeleteBill, we have Xiaolong in common then towards the end of the Alphabet journey - even though I haven't yet read mine. I'll bump it up the pile!
ReplyDeleteBill, thanks for the review. I was not familiar with this author. I liked the way Qiu Xiaolong has woven cultural elements like poetry, dress, and food in his novel giving it a distinct Chinese identity.
ReplyDeletecol: Thanks for the comment. Xiaolong is a good "X" to read.
ReplyDeletePrashant: Thanks for commenting. You highlight three of the elements which makes it a superb series.
ReplyDelete