I was impressed by the first episode. It caught and held
my attention.
From the moment Tom Hiddleston appeared on the screen he
met my mental image of Jonathan Pine from the book. Hiddleston is tall enough,
weathered enough, lean enough, handsome enough.
I thought it very clever to move the opening scenes in
Cairo from the early 1990’s to the 2011 Arab Spring Revolution and the protests
wracking Cairo. Indeed, it gave a clearer reason for Dickie Roper to be selling
arms in Egypt. They could be used against the protesters.
I thought Aure Atika was
convincingly sultry for Freddie Hamid’s older mistress, Sophie Alekan. Her secrets
betrayed by Pine she forgave him but he could not forgive himself.
As in the book word of the proposed arms deal was leaked
in London to Roper by one of the traditional British Intelligence agencies.
In the book the small new intelligence agency seeking to take down
Roper was headed by Leonard Burr. In the series it is run by a woman, Angela
Burr, played by Oliva Colman. It was interesting to see the shift in leadership
a generation after the book was written. I saw no problems with the change in
gender. In characterization I thought Colman looked properly rumpled. The Burr
of the book is hardly a fashionable man.
The T.V. confrontation between Pine and Sebastian Ogilvy
in which Ogilvy denigrates Sophie and dismisses any obligation of the British
government towards her was more effective than the book as we saw the emotions
playing out in Pine.
As the story moves to Switzerland setting the luxury
hotel in Zermatt rather than Zurich was immaterial to me. In both locations the
rich are carefully pampered.
Hugh Laurie as Richard “Dickie” Onslow Roper
appropriately swept into the hotel with his entourage. He did not precisely fit
my mental view of Roper. From the book I had envisaged Roper as a bigger, more
robust man, with a booming voice.
I did take me a few minutes to move away from remembering
Laurie as Dr. House. Thankfully in the role of Roper he does not use a cane.
In watching the episode I did accept Laurie as Roper.
Laurie is clearly in command. He has the touch of world weariness I remember
from the book. He does well at playing Roper’s role as a philanthropist while
dealing in arms. He is equally of the right age.
The age difference between Roper and his girlfriend, Jeds
Marshall, hits more strongly when you see them side by side rather than reading
about them.
Elizabeth Debicki as Jeds is suitably lanky, lovely and
languid. For some reason I imagined her as a brunette with hair flowing down
her back. Jed’s short blonde hairdo works well on Debicki. At 6’ 2 1/4” she has
the height I expected from the book.
What is most impressive about the casting is that the “bad”
guys are average to good looking rather than bad by appearance alone.
I thought the script well written. The characters have
distinct voices and speak intelligently. I was not surprised that le Carré was involved with David Farr in the writing of the series.
You can see developing through the first episode Pine’s
commitment to doing right and his desire to stop Roper, called the “worst man
in the world”, by Sophie. He will be an easy recruitment by British
Intelligence in the next episode.
Most interesting to me was that le Carré’s
sons, Simon and Stephen Cornwell are executive producers of the production.
My Australian blogging friend, Bernadette at her fine
blog Reactions to Reading, occasionally compares a book with its adaption on
screen. It is not always clear which is the better.
I am greatly looking forward to the rest of the
mini-series. I have found the changes from the book to be well done and I am
excited to see what further changes are ahead. If the remaining episodes are as
good as the first it is going to be a great mini-series and be very profitable
even though it is the most expensive mini-series in BBC history.
****
Le Carré, John – (2000) - Single & Single; (2001) - The Constant Gardner (Second best fiction of 2001); (2005) - Absolute Friends (Best fiction in 2005); (2008) - Mission Song; (2009) – A Most Wanted Man; (2016) - A Quartet of John Le Carré; (2016) - The Night Manager and The Writing of and Reaction to The Night Manager
Sisman, Adam - (2016) - John Le Carré and John Le Carré as Real Life Spy
Sisman, Adam - (2016) - John Le Carré and John Le Carré as Real Life Spy