Frankie said it was the same with
a murder scene or a murder case. There will be one thing that brings it all
together and makes sense of things. You find it and you’re gold. It’s like
finding the black box.”
In 1992 Bosch is called into investigating homicides that
took place during the riots in South Central Los Angeles after four L.A.
police officers are found not guilty of assaulting Rodney King. The body count
overwhelms the police.
Bosch is directed to an alley where there is a young white
woman shot through the eye. Members of the California National Guard have found
the body. To his frustration Bosch has no time for more than a cursory
inspection of the crime scene, some photos and quick conversations with the
Guardsmen before being called to another homicide. He does manage to find the
ejected shell casing.
The victim, Anneke Jespersen, is a Danish freelance photo
journalist covering the riots. Memorably she is dubbed Snow White.
When the riot ends other detectives are unsuccessful in
solving the murder.
Twenty years later, a forensic review of evidence in open
cases determines that the gun used to kill Jesperson was used in two other
murders. Bosch in the Open-Unsolved Unit is given another chance to find the
killer.
He travels to San Quentin to interview Rufus Coleman who has
been convicted of a different murder with the same gun. Skilfully leveraging two
letters to the Parole Board, one supporting and the other opposing, Bosch
learns from Coleman the name of the gang member who gave Coleman the gun.
However, Trumont Storey is dead.
Still Bosch has a thread to the murder. He starts a gun walk
looking to find and trace the gun.
At the O-U Unit Lieutenant Cliff O’Toole has just taken over
commnd. He is an officious officer focused on statistics clearing crimes. With
Bosch practising the principle, everybody matters, rather than statistical police
work there is immediate friction. With Bosch’s insolence to superiors ingrained
he is soon in trouble. The Professional Standards Bureau, the former Internal
Affairs, begins investigating a complaint arising from Bosch’s trip to San
Quentin.
At home Maddie is 16. Bosch has a good relationship with his
daughter but, because of his obsessive work habits, continues to struggle with
managing his time so he can be a full time parent. He is finding it a challenge
dealing with Maddie’s determination, as a young woman, to have more control
over her life.
Connelly smoothly draws the reader through the investigation
and Bosch’s personal life. Bosch conducts his usual tenacious investigation.
In his last book, The
Drop, I lamented the one dimensional character of the bad guy. It is not a
problem in this book.
I do regret the way in which Connelly chose to end The Black Box. It has too much the
flavour of Hollywood for me. From
earlier books I know he could have written a better conclusion. I would be glad
to exchange emails with readers of the book with regard to my further thoughts
on the ending.
The ending turned a great book into a good book for me.
(Dec. 30/12)
****
Happy New Year around the world to readers and fellow
bloggers! May all the crimes you encounter in 2013 be between the pages or on
the screen!
****
My other reviews of Connelly are:Connelly, Michael – (2000) - Void Moon; (2001) - A Darkness More than Night; (2001) - The Concrete Blonde (Third best fiction of 2001); (2002) - Blood Work (The Best); (2002) - City of Bones; (2003) - Lost Light; (2004) - The Narrows; (2005) - The Closers (Tied for 3rd best fiction of 2005); (2005) - The Lincoln Lawyer; (2007) - Echo Park; (2007) - The Overlook; (2008) - The Brass Verdict; (2009) – The Scarecrow; (2009) – Nine Dragons; (2011) - The Reversal; (2011) - The Fifth Witness; (2012) - The Drop; (2012) - Black Echo; (2012) - Harry Bosch: The First 20 Years; Hardcover